{"id":177,"date":"2018-02-19T15:01:17","date_gmt":"2018-02-19T15:01:17","guid":{"rendered":"https:\/\/www.theatreinsaintdomingue.org\/?page_id=177"},"modified":"2024-02-23T16:53:59","modified_gmt":"2024-02-23T16:53:59","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/www.theatreinsaintdomingue.org\/index.php\/bibliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"

Bisset, Catherine. Placeholder<\/em> (Edinburgh: Salamander Street, 2023)<\/p>\n

Bisset, Catherine, Flavia D\u2019Avila and Ja\u00efrus Obayome. \u201cKnowledge Exchange Theatre and the Colonial Caribbean: Creating Placeholder<\/em>\u201d in Colonial-Era Caribbean Theatre: Issues in Research, Writing and Methodology<\/em>, ed. by Julia Prest, 231-55<\/p>\n

Camier, Bernard. \u201cA \u2018Free Artist of Color\u2019 in Late-Eighteenth-Century Saint-Domingue: The Life and Times of Minette\u201d, International Journal of the Study of Music and Music Performance <\/em>1:1 (2019), 1-26<\/p>\n

Camier, Bernard. \u201cJeanne, Louise, Anne Beauvernet dite Lise (Port-au-Prince 1773-Paris circa 1840?) demi-s\u0153ur de Minette et chanteuse de couleur \u00e0 Saint-Domingue \u00e0 la fin du XVIII\u00e8me si\u00e8cle\u201d, G\u00e9n\u00e9alogie et histoire de la Cara\u00efbe<\/em> (2018) http:\/\/www.ghcaraibe.org\/articles\/somarticles.html<\/a><\/p>\n

Camier, Bernard. \u201cJeannot<\/em> et Th\u00e9r\u00e8se<\/em> (Cl\u00e9ment, Cap-Fran\u00e7ais, 1758): A Question of Creole Identity\u201d in Colonialism and Slavery in Performance: Theatre and the Eighteenth-Century French Caribbean<\/em>, ed. by Jeffrey Leichman and Karine B\u00e9nac-Giroux, 89-112<\/p>\n

Camier, Bernard and Marie-Christine Haza\u00ebl-Massieux. \u201cJeannot et Th\u00e9r\u00e8se<\/em>: un op\u00e9ra-comique en cr\u00e9ole au milieu du XVIIIe si\u00e8cle\u201d, Revue de la soci\u00e9t\u00e9 ha\u00eftienne d\u2019Histoire et de G\u00e9ographie<\/em> 215 (2003), 135-66<\/p>\n

Camier, Bernard. \u201cMarie-Madeleine Acquaire: une artiste franco-cr\u00e9ole \u00e0 Saint-Domingue dans la deuxi\u00e8me moiti\u00e9 du <\/em>XVIII\u00e8me si\u00e8cle\u201d, G\u00e9n\u00e9alogie et histoire de la Cara\u00efbe<\/em> (2020) http:\/\/www.ghcaraibe.org\/articles\/2020-art04.pdf<\/a><\/p>\n

Camier, Bernard. \u201c<\/em>Minette (Elisabeth, Alexandrine, Louise Ferrand dite), artiste libre de couleur \u00e0 Port-au-Prince \u00e0 la fin du XVIII\u00e8me si\u00e8cle: Une \u00e9tude biographique\u201d, Revue de la soci\u00e9t\u00e9 ha\u00eftienne d\u2019histoire de g\u00e9ographie et de g\u00e9ologie<\/em> 259-262 (2018), 214-37<\/p>\n

Camier, Bernard. \u201cMinette Ferrand: actualisation des r\u00e9sultats de recherche\u201d, G\u00e9n\u00e9alogie et histoire de la Cara\u00efbe<\/em> (2018) http:\/\/www.ghcaraibe.org\/articles\/somarticles.html<\/a><\/p>\n

Camier, Bernard and Laurent Dubois. \u201cVoltaire et Za\u00efre<\/em>, ou le th\u00e9\u00e2tre des Lumi\u00e8res dans l\u2019aire atlantique fran\u00e7aise\u201d, Revue d\u2019histoire moderne et contemporaine<\/em> 54: 3\/4 (2007), 41-69<\/p>\n

Clay, Lauren. Stagestruck: The Business of Theater in Eighteenth-Century France and Its Colonies<\/em> (Ithaca: Cornell University Press, 2013)<\/p>\n

Connors, Logan. Theater, War and Revolution in Eighteenth Century France and its Empire<\/em> (Cambridge, New York: Cambridge University Press, 2023)<\/p>\n

Connors, Logan. \u201cThe Military-Theatrical Event in French Saint-Domingue\u201d in Colonialism and Slavery in Performance: Theatre and the Eighteenth-Century French Caribbean<\/em>, ed. by Jeffrey Leichman and Karine B\u00e9nac-Giroux, 21-40<\/p>\n

Connors, Logan. \u201cUsing Military Documents to Study Colonial-Era Theatre and Performance in Saint-Domingue\u201d, in Colonial-Era Caribbean Theatre: Issues in Research, Writing and Methodology<\/em>, ed. by Julia Prest, 183-204<\/p>\n

Dubois, Laurent and Ka\u00efama Glover. \u201cStaging Revolution: Jean Fouchard, Marie Vieux-Chauvet and Writing the Theatre of Eighteenth-Century Saint-Domingue\u201d in Colonialism and Slavery in Performance: Theatre and the Eighteenth-Century French Caribbean<\/em>, ed. by Jeffrey Leichman and Karine B\u00e9nac-Giroux, 259-91<\/p>\n

Ferrier, B\u00e9atrice. \u201cFrom the abb\u00e9 Raynal to C\u00e9sar Ribi\u00e9: L\u2019H\u00e9ro\u00efne<\/em> am\u00e9ricaine<\/em> on the stages of Saint-Domingue (1787-88)\u201d in Colonialism and Slavery in Performance: Theatre and the Eighteenth-Century French Caribbean<\/em>, ed. by Jeffrey Leichman and Karine B\u00e9nac-Giroux, 65-87<\/p>\n

Force, Pierre. \u201cRace et citoyennet\u00e9 dans la carri\u00e8re et les \u00e9crits de Charles Henri d\u2019Estaing (1729-94)\u201d, L\u2019Esprit cr\u00e9ateur<\/em> 56: 1 (2016), 68-81<\/p>\n

Fouchard, Jean. Le Th\u00e9\u00e2tre \u00e0 Saint-Domingue<\/em> (Port-au-Prince: Imprimerie de l\u2019\u00c9tat, 1955; 1988)<\/p>\n

Fouchard, Jean. Artistes et r\u00e9pertoire des sc\u00e8nes de Saint-Domingue<\/em> (Port-au-Prince: Imprimerie de l\u2019\u00c9tat, 1955; 1988)<\/p>\n

Leichman, Jeffrey and Karine B\u00e9nac-Giroux (eds). Colonialism and Slavery in Performance: Theatre and the Eighteenth-Century French Caribbean<\/em> (Liverpool: Liverpool University Press\/Oxford University Studies in the Enlightenment, 2021)<\/p>\n

Marie, Laurence. \u201cWriting about Theatre in Saint-Domingue (1766-1791): a Public Voice on a Public Space?\u201d in Colonialism and Slavery in Performance: Theatre and the Eighteenth-Century French Caribbean<\/em>, ed. by Jeffrey Leichman and Karine B\u00e9nac-Giroux,139-65<\/p>\n

Marie, Laurence. \u201cFigaro \u00e0 Saint-Domingue\u201d in Les Lumi\u00e8res du th\u00e9\u00e2tre.\u00a0Avec Pierre Frantz<\/em>,\u00a0ed. by Renaud Bret-Vitoz, Michel Delon et Sophie Marchand (Paris: Classiques Garnier, 2022), 281-88<\/p>\n

Memelsdorff, Pedro. \u201cL\u2019Amant<\/em> statue<\/em>: Staging Slavery in Pre-Revolutionary Haiti\u201d in Seachanges<\/em>: Music in the Mediterranean and Atlantic Worlds, 1550\u20131800<\/em>, ed. by Kate van Orden (Florence: I Tatti, 2021), 277\u2013303.<\/p>\n

Powers, David M. From Plantation to Paradise? Cultural Politics and Musical Theatre in French Slave Colonies, 1764-1789 <\/em>(Michigan: Michigan State University Press, 2014)<\/p>\n

Prest, Julia (ed). Colonial-Era Caribbean Theatre: Issues in Research, Writing and Methodology<\/em> (Liverpool: Liverpool University Press, 2023)<\/p>\n

Prest, Julia. \u201cFrom Tragic Hero to Creole Businesswoman: Voltaire\u2019s S\u00e9miramis and her parodies in 18th<\/sup>-century France and Saint-Domingue\u201d in The Allure of the Ancient: Receptions of the Ancient Middle East, ca. 1600-1800<\/em>, ed. by Margaret Geoga and John Steele (Leiden: Brill, 2022), 259-83<\/p>\n

Prest, Julia. \u201cIphig\u00e9nie<\/em> en Ha\u00efti<\/em>: Performing Gluck\u2019s Paris Operas in the French Colonial Caribbean\u201d, Eighteenth-Century Music<\/em> 14:1 (March 2017), 13-29<\/p>\n

Prest, Julia. \u201cPale Imitations: White Performances of Slave Dance in the Theatres of Pre-Revolutionary Saint-Domingue\u201d, Atlantic Studies: Global Currents<\/em> 16:4 (2019), 502-20 [https:\/\/doi.org\/10.1080\/14788810.2018.1469352<\/a>]<\/p>\n

Prest, Julia. \u201cParisian Palimpsests and Creole Creations: Mme Marsan and Dlle Minette perform Nina<\/em> on the Caribbean Stage\u201d, Early Modern French Studies<\/em> 41:2 (2019), 170-88 [https:\/\/doi.org\/10.1080\/20563035.2019.1592813<\/a>]<\/p>\n

Prest, Julia. Public Theatre and the Enslaved People of Colonial Saint-Domingue<\/em> (Cham: Palgrave Macmillan, 2023).<\/p>\n

Prest, Julia. \u201cThe Familiar Other: Blackface Performance in Creole Works from 1780s Saint-Domingue\u201d in Colonialism and Slavery in Performance: Theatre and the Eighteenth-Century French Caribbean<\/em>, ed. by Jeffrey Leichman and Karine B\u00e9nac-Giroux, 41-63<\/p>\n

Prest, Julia. \u201cUncovering Connections between Theatre and Slavery: Runaway Advertisements in Colonial Saint-Domingue and Beyond\u201d in Colonial-Era Caribbean Theatre: Issues in Research, Writing and Methodology<\/em>, ed. by Julia Prest, 205-29<\/p>\n

Saint-Amand, Pierre. \u201cFinishing Off the Revolution: La Libert\u00e9 g\u00e9n\u00e9rale<\/em> of Citoyen B.\u201d in Colonialism and Slavery in Performance: Theatre and the Eighteenth-Century French Caribbean<\/em>, ed. by Jeffrey Leichman and Karine B\u00e9nac-Giroux, 213-24<\/p>\n

Les Veuves cr\u00e9oles, com\u00e9die<\/em>, ed. by Julia Prest (Cambridge: MHRA, 2017)<\/p>\n","protected":false},"excerpt":{"rendered":"

Bisset, Catherine. Placeholder (Edinburgh: Salamander Street, 2023) Bisset, Catherine, Flavia D\u2019Avila and Ja\u00efrus Obayome. \u201cKnowledge Exchange Theatre and the Colonial Caribbean: Creating Placeholder\u201d in Colonial-Era Caribbean Theatre: Issues in Research, Writing and Methodology, ed. by Julia Prest, 231-55 Camier, Bernard. \u201cA \u2018Free Artist of Color\u2019 in Late-Eighteenth-Century Saint-Domingue: The Life and Times of Minette\u201d, International… Continue reading Bibliography<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-177","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.theatreinsaintdomingue.org\/index.php\/wp-json\/wp\/v2\/pages\/177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theatreinsaintdomingue.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.theatreinsaintdomingue.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.theatreinsaintdomingue.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theatreinsaintdomingue.org\/index.php\/wp-json\/wp\/v2\/comments?post=177"}],"version-history":[{"count":19,"href":"https:\/\/www.theatreinsaintdomingue.org\/index.php\/wp-json\/wp\/v2\/pages\/177\/revisions"}],"predecessor-version":[{"id":325,"href":"https:\/\/www.theatreinsaintdomingue.org\/index.php\/wp-json\/wp\/v2\/pages\/177\/revisions\/325"}],"wp:attachment":[{"href":"https:\/\/www.theatreinsaintdomingue.org\/index.php\/wp-json\/wp\/v2\/media?parent=177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}